Native American Flute Instructions


Native American Flute Instructions by John Vames

 
           Excellent Book and Companion CD
 
           Includes 25 songs for 6 hole flute

         -
  Proper Finger and Breath Control
           -  How to Ornament Melodies
           -  Understanding Pitch and Rhythms
           -  How to Practice successfully
           -  How to Create your own songs
           -  Useful Scales to develop technique
           -  How to read music and tablature

                         $29.
 


 Native American Flute Instructions by Bob Edgar


                The
          Native American Flute
           Book
         by  Bob Edgar

                    43 page manuel of simple and clear instructions.
                Includes illustrations, photos, songs and stories.
                Designed to help in the ease of playing your flute.

              
For 5 hole flute.
                    (If yours is a 6-hole, just keep the 3rd hole from the top covered)
               
                          $10.  

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  Card purchases call 1 800 435-8837  outside USA (559) 642-2942  * sderuby@gmail.com


  Beginner's Instructions

There is an air slot under the block on top of the flute.
Position it just behind and in line with the rectangular hole.

Warm breath into a cold flute may create moisture in this slot.
Clear air slot if clogged.
  After an extended period of playing, store flute where the inner chamber can air dry.

The flute will squeak if blown too hard or if the holes under your fingers leak air.
Use the pads of your fingers, not the tips.

  On 6-hole flutes, keep the 3rd hole from the top covered for a simple pentatonic scale.


 Tablature

These are the basic notes of the pentatonic scale.
The book shows many other notes that you can play.
The pentatonic notes blend harmoniously with each other
and do not require musical skill to compose simple songs.
When you learn to play these notes you will be able
to make up beautiful songs that you create yourself.
The black holes in the diagram are closed.


Native American Flute notes tablature


Here's an example of one of the nineteen songs in the Native American Flute Book.
If you don't read music just place your fingers over the holes as seen in the tablature.
 Blow the note and move on to the next one.
This will give you an exercise in making up your own songs.

Native American Flute songs tablature

The
Origin Of the Native American Flute

Told by  Carol Proudfoot Edgar    

 

   Ancient stories and stone carvings indicate that the flute, like the drum and rattle, has been made and  played for tens of thousands of years. These instruments have always been considered gifts from the Spirits. Oral tradition often conveys the circumstances under which these gifts came to the people. Details of the stories vary since the spirits of the land vary (types of trees, birds, animals). This story comes from the Lakota Sioux. Cedar flutes of modern design are thought to have been used first by the Sioux.

 

                        The First Flute

   Long ago a young man saw a young woman in his village and longed to find some way to talk to her. He was too shy to approach her directly. She was the daughter of a chief and it was well known that she was very proud. Many men tried to court her but she sent them all away.

One day, this young man went on a hunting trip. He found the tracks of an elk and began to follow them. Although he caught sight of it now and then, the elk stayed far ahead of him, leading him away from the village until he was deep in the hills. Finally night came and he made a camp. He was far from home and the sounds in the night made him feel very lonely. He listened to the owl and rustling of the leaves, the creaking of the tree branches and the whistling of the wind. Then he heard a sound he had never heard before. It was a strange sound, like the call of a bird and yet different from any bird. It sounded as if it came from the land of the Spirits. Strange as it was, that call was also very beautiful. It was like a song and he listened closely to it. Soon he fell asleep and dreamed.

 

    In his dream, a Redheaded Woodpecker came and sang that strange and beautiful song. Then the Woodpecker spoke: “Follow me” it said. “Follow me and I will give you something. Follow me, follow me.”

 

   When the young man woke, the sun was bringing early morning light. There in the branches of the tree above him was the Redheaded Woodpecker. It began to fly from tree to tree, stopping and looking back. The young man followed. Finally the Woodpecker landed on the straight dead branch of a Cedar tree. It began drumming with its beak on that hollow limb, which was full of holes made by the Woodpecker. Just then the wind came up and blew through the hollow branch. It made the song that the hunter had heard.

 

   The hunter saw what he should do. He climbed the tree and carefully broke off that branch. He thanked the Redheaded Woodpecker for giving him this gift and he took it home to his lodge. But he could not make it sing, no matter what he did. Finally he went to a hill top and fasted for four days. On the fourth day a vision came to him. It was the Woodpecker and it spoke again, telling him what to do. He must shape one end of the flute so it looked like the open mouth of a bird. He must carve a likeness of the Woodpecker and fasten it with a reed and thong in a certain way near the other end of the branch. Then when he blew into that end of the flute and covered the holes with his fingers, he would be able to play that song.

 

   The man did as his vision told him. He carved the flute so that it looked like the head and open mouth of a bird. He attached the likeness of the Woodpecker with a reed and a thong and when he blew into the flute it made music. Then he began to practice long and hard, listening to the sounds of the wind and the trees, the movement of the waters and the calls of the birds, making them all part of his playing. Soon he was able to play a beautiful song.

Now when he hunted and camped far from the village he had his flute with him and he could play it to keep himself company and call the spirits of the land to help him. Finally, he knew that he was ready to visit that young lady he had liked so long from afar. He went and stood behind her lodge and played his best song on his flute. She heard the song and came out into the moonlight. She went straight to where he was playing. She walked up to him and stood close to him and he lifted his blanket and wrapped it around them both.

 

   So it was that the young hunter became the husband of the chief’s daughter. He became a great man among his people.

Ever since then, young men who wish to go courting have learned to make the Cedar Flute and play those magical songs. To give honor to the Redheaded Woodpecker that gave such a special gift, many of those flutes were shaped like the open mouth of a bird with the likeness of a Woodpecker attached to one end.

 

For those who practice and play, the flute has continued to reveal its magical powers for singing songs of the Spirit, for singing love songs to all creatures, and for piercing with joy the heart of the Flute Player.

 


Just as there are myths concerning the origin of the flute, so there is a strong, powerful oral tradition regarding the original Flute player who brings prosperity to the people and the land through his music. In the Southwest, this figure is depicted as Kokopelli, the humpback Flute Player.

Kokopelli                                             

   The Hopi usually depict Kokopelli, the Humpback Flute Player, as a stick figure in the act of walking. He has antennae on top of his head. He is usually bent forward, blowing into a flute that he holds between his hands. His back is bowed, filled with sacred cargo. Kokopelli is a traveler. His luggage or humpback contains the seeds to be scattered. His flute calls the rains to nourish the seeds.

 

   The Hopi say that Kokopelli is the antidote for Panayoikyase (an Ancient Being, or power, which is full of destruction of the earth, of the people).

Kokopelli calls forth the energy necessary to defeat Panayoikyase with the magic of his flute, awakening that power within people’s hearts.

Although masses follow him as he plays his flute, he is not like the Pied Piper because he does not lead masses to their suicide.

He inspires the emergence of new life.

 

   Kokopelli is also a fertility symbol. He carries the whole cycle of regeneration within nature. The seeds in his sack belong to plants and flowers but metaphorically they are cultural and spiritual seeds as well.

It is Kokopelli’s responsibility to spread them.

Then with the music of his flute, he creates warmth to bring the rain and heal the Earth. This gives the seeds the special energies they need to sprout and grow. Their germination is represented by a sprouting life energy symbol in the form of a four directional spiral in many Kokopelli cave paintings.

 

   There is a connection between Kokopelli and Pan. Both provide through their music a link for humanity to the rest of nature. Also between the one’s horns and the other’s antennae, they are pretty horny characters. In fact, Kokopelli is often depicted with a huge erection instead of a flute. Sometimes the flute he is playing actually is his erection. This aspect of Kokopelli lets us know without a doubt that he is a fertility symbol as well as a celebration of the erotic part of our human nature.

 

   Both Pan and Kokopelli are symbols of the Trickster. Pan is known as the Trickster and the Coyote is an animal often associated with Kokopelli. Another animal associated with Kokopelli is the Cricket because this insect makes high pitched music when calling for his mate. The flute is frequently connected to courting.

 

   Kokopelli is also associated with the Hummingbird. The Hummingbird’s beak looks like a flute coming out of Kokopelli’s mouth and this birds plays an important role in cross pollination and the spreading of joy.

 

   If you are drawn to the flute, maybe Kokopelli is wanting to share his magic with you and be one of your Spirit friends. Maybe there are sacred teachings that your flute carries for you to discover. Perhaps Kokopelli wants to play with you and wants you to play. Although a continuing symbol of regeneration, he is not the serious type.

 

Relax, have fun, and discover the Magic Flute.


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  Card purchases call 1 800 435-8837  outside USA (559) 642-2942  * sderuby@gmail.com

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